In Babel, each player makes use of members of various tribes of the ancient world to build temples, exploit (or exterminate) their opponent's work force, destroy or steal their opponent's temples and otherwise do whatever it takes to build the tallest temples to win the game.
The game plays out on a small game board representing regions of 5 ancient civilizations, Medes, Sumerians, Hittites, Persians, and Assyrians. Each player will be dealt a hand of cards (consisting of 5 types corresponding to the above tribes). Players themselves are represented by stone figures. Temple cards will be made available at the side of the board for building throughout the game. On his or her turn, a player may discard a card to move to the corresponding region, place a card on the region they are currently located, build a temple by having tribesmen equal to the number or level on the temple card AND having built the previous (lower) temple level, move tribesmen from one region to another, or perform a skill action unique to each tribe. Players may perform any and all actions available to them, being able to perform most actions as many times as they wish and saving any number of unplayed cards for subsequent turns.
A big component of this game is placing your tribe cards in sets. Skills can only be used if a set of three (or more) cards is at the same location as the player marker. By discarding one of the cards of a set, the skill may be used. No matter the tribe, performing this action can force the opponent to discard half their hand. Other skills, such as robbing a temple from an opponent, skipping a level on a temple build, destroy an opposing temple, etc. are specific to the tribe activated.
Game play progresses until one of two conditions is met: if a player builds 15 points (or levels) of temples before the opposing player builds at least 10 points, that player wins. If the opponent does have more than 10 points, the game continues until one player reaches 20 points (in which case he or she wins) OR one player subsequently drops below 10 (in which case he or she loses).
- Mean, but balanced two-player experience
- Fits in neatly with Rosenberg's design language while not feeling like a typical Rosenberg game
- Confrontational nature can be off-putting for casual players
- mythic confrontation
- Temple duel with temple-building mechanics
- confrontational, direct competition
Mechanics (from transcript analysis)
- duel/tug-of-war — play cards to build temples and attempt to outpace opponent; cards have powers that can affect temples
Video topics + discussion points
Quotes (from this video)
- this one is a lovely game by Stephan Dora, a great design in his own right.
- you are trying to collect exactly three of these animal tokens of each type to get the maximum amount of points
- a real brain burner but so simple and elegant to play as well
- Lost Cities a joy to get that one back to the table
- it's far too long I think it took us nearly two hours to play this which is obscene for the weight of the game
- Katarena one of the best abstract strategy games out there
- this is a bit of a whitewash of a game
References (from this video)
- strong hand management with tactical choices
- engaging head-to-head rivalry
- some rounds can feel constrained by the two pyramid cards that come out
- destruction and theft of pyramids
- pyramids and power cards in a competitive head-to-head
- mean-spirited, direct confrontation
- Battle Line
- Lost Cities
Mechanics (from transcript analysis)
- area/board manipulation — cards destroy opponent pyramids or steal top levels
- hand management — managing a hand of cards to deploy to locations
Video topics + discussion points
Quotes (from this video)
- it's really tight this Bard is and the opportunity cost of doing one thing
- there are so many different ways you can score in this game
- it's punchy
- the game end really does rush up on you
- polished, refined, gorgeous to look at
- you can just take the pieces off the board and go again