Kings of Ruin is a new stand-alone story campaign from the team behind the acclaimed Tainted Grail board game, set in the same universe. Playable with a brand new set of exciting characters, it continues the stories of Fall of Avalon, Last Knight, and Age of Legends while also providing a perfect self-contained entry into the saga for new players.
During your experience with the game you will explore new land (with a totally changed system of traveling through Wyrdness), solve encounters with force or diplomacy with unique puzzle card system, and develop your heroes with new passive skills, cards and powerful items.
Most importantly, you will discover a dark immersive story of abandoned land at the wrong side of Avalon and Kings of Ruin ruling there:
Claudyne, the Unknighted.
Amberqueen Veneda.
Nonus, Bishop of the Deep.
Mechanics (from transcript analysis)
Video topics + discussion points
Quotes (from this video)
- And so this is the video where I start the process of taking a look at them, seeing what has come in, talking about the campaigns that I cannot wait to play and realistically acknowledging that now that I have a child that goes to sleep at a fairly regularly scheduled time and wakes up rarely in the middle of the night.
- So, pour a drink with me and uh let's go ahead and start going through all of the games that I need to not only unbox, sort, learn, but sit down and start to play.
- Not a shelf of shame. No, not that. But a lustful, girthful pile of board games that are ready for you to just sweep them up in your arms and make dear and desperate late night romance.
- I've been receiving stuff that I've already got on back order and I've been uh playing through a lot of stuff that I already had.
- The most accessible big game campaign game narrative adventure setup I've ever experienced.
- And the other thing for me is it has these really interesting branching narrative pathways.
- How do you all go about opening up and organizing your games?
- Listen, any of these games, I need I need people to come play them with me and make sure I don't get all the rules wrong.
- The point of this video is just to talk about these giant flipping big box games that I have that I need to open up and all of the lovely games that I need to sit down and play.
- Y'all said having a kid was going to like throw a wrench. Yeah, I didn't believe you.
- I need you to let me know what games you have sitting on your desirable floor of unloved, begotten relics of a different age or future past.
References (from this video)
- Host just got a copy and can't wait to play it.
Mechanics (from transcript analysis)
Video topics + discussion points
Quotes (from this video)
- We are a community full of people with maxed out credit cards cuz the next addictive board game on the shelf just needed to be purchased even though we haven't played the last dozen that came in or because we've backed 20 not realizing that they're all going to arrive in about a year and uh our satiation for brand new boxes is going to slow down in between then and now.
- We're not the same industry that existed before the pandemic. An industry when crowdfunding was a dream that publishers could use to make things happen.
- We're not the same community. We're more hesitant, more cautious. we are more skeptical of crowdfunding projects that don't have history and age behind them.
- I'm hopeful and also concerned. I'm hopeful cuz I want to believe in what this space is and and what our hobby space has always been for me. A place to connect, a place to discover new worlds and go on adventures and spend time with friends, a place to heal from the impact and disruption that technology adds into our lives that social media um seeps into our very soul.
- Get out and play some games.
References (from this video)
- Ranked as favorite out of the three games.
- Straightforward and simple system, easy to play solo anywhere.
- Straightforward combat, easy to remember rules.
- Replayable by switching out bosses and characters.
- Satisfying feeling from rerolling dice, increasing stats, and managing resources wisely.
- Satisfying card play with connecting effects.
- Felt like it was full of fillers in the campaign game.
- One specific monster ability caused a death in the end game.
Mechanics (from transcript analysis)
- Boss and character selection — The first thing you're going to do is pick a boss. And then secondly, you're going to pick a character.
- Card combat system — you can then either draw one combat card or apply one card from your hand. And to apply a card, you just connect it like this, which is extremely satisfying. And then whichever arrows connect, you activate that effect.
- Card Replacement — So, when you gain that top card, you have a choice of discarding and vanishing a card from the top of the deck or a card from your hand or a card from your discard pile and then replacing it with this card.
- Dice commitment and rerolling — I can apply any one committed die to this card and it deals damage to this enemy. ... because my strategy is at two, I can then reroll these one more time and see what happens. ... because my character only has one health, I really need these blues so I can keep rerolling dice and get exactly what I need.
- Enemy activation and rewards — Step one, you're going to pick an enemy from any of these stacks and activate them. The really fun thing about Tainted Grail is how you're building out your rewards right now, because each stack has a different reward.
- Menhir stack — every time you defeat an enemy, it's actually going to add one to what they call a menhir stack, if I'm spelling that if I'm pronouncing that correctly. And in that pool, those are the enemies that the boss can use as they spawn more enemies.
Video topics + discussion points
Quotes (from this video)
- I'm not here to show you just one new game. Not just two new games, but three brand new solo game experiences for 20 Strong in collaboration with three Awaken Realms titles, Nemesis, Tainted Grail, and Etherfields.
- Everything that you're going to see today is still in prototype form, including the rules as well.
- This is not a sponsored review, but I was sent over these prototypes to check out.
- The bosses are very interesting, and they do change how you actually interact with this world.
- Flipping is a big mechanic because it is permanent.
- As soon as you beat a boss, you will flip it over, and then there will be a new boss that takes its place.
- The flipping mechanism, I think has got to be my favorite part about Etherfields.
- Nemesis is definitely going to be the most different out of all the games that you see today.
- Everyone's going to be given a couple objectives.
- The more noise that you make, more aliens will come to your spot.
- I'm just really hesitant about the downtime from rolling dice.
- I love the cinematic story building. I love how intense the pressure is when you're trying to run away from all these aliens.
- I was not a fan of Tainted Grail, the campaign game, because I felt like it was full of fillers.
- Tainted Grail has the most straightforward and simple system compared to all the others today.
- I would easily rank Tainted Grail as my favorite as number one out of the three games today.
- Reason why is because you saw how straightforward and how simple it is.
- If you're type to explore more and if you like ever-changing landscapes and a deck of cards that are constantly going to change depending on how you react to it, then I would definitely go with Etherfields.
- Nemesis is definitely better fit for those that like to sneak around, that like to scavenge resources, and have like a sort of ticking time bomb.
- Like, there is so much game in all these three boxes.
References (from this video)
- loved solo.
- wouldn't want to play with a group, potentially due to language barriers (English not being a native language for some players).
Mechanics (from transcript analysis)
Video topics + discussion points
Quotes (from this video)
- mechanisms over theme for the win
- Stories can be great the first time around but I think atmosphere is way more important
- I like feeling immersed in the aesthetic and setting of a game
- if you can get someone invested in the story of what they're doing I have seen time and time again how that can increase their capacity to learn the rules because now they have a sense of motivation
- for me if a board game tries too hard to tell me a specific story it takes away from my experience
- I like ludo-narrative Harmony when mechanics match story and it's great when the story Jump Start strategy
- Ludo stands for play and narrative so it's where those two things meet
- if the story is poorly written poorly read or it was just more story than what the players were looking for it's not going to work
- English isn't my native language and others around me aren't very fluent in English and reading well
- one thing I expected with Rodney standing next to those shelves of coin games was for him to take one out and talk about how games can retell stories
- if some players really want to embrace the story of a game while others aren't in the mood for elaborate theatrics or dramatic readings those story elements they just they won't land
- I'm glad there's a wide spectrum of games to choose from so that everyone can find something that provides enjoyment for them and the other players that they game with
References (from this video)
- The deck-building element is really cool.
- The way cards match different nodes works well.
- Can be made to be tight, gritty, challenging, and thinky without extra rules or complexity.
- Has a lot of customization with different characters, unique hero abilities, and hero cards mixed into decks.
Mechanics (from transcript analysis)
- Card matching — The host liked "the way that the nodes, kind of like playing cards, like if they match different nodes, how that works and stuff".
- customization — The host mentioned "a lot of customization in that with all the different characters and and like having, you know, each of the characters has their own unique uh hero ability and their own unique hero card that gets mixed in their deck".
- deck-building — The host noted the deck-building element in Tainted Grail, comparing it to Etherfields.
Video topics + discussion points
Quotes (from this video)
- I really like the way that the nodes, kind of like playing cards, like if they match different nodes, how that works and stuff.
- it's it's a complexity of choice, not a complexity of rules.
References (from this video)
- Color wheel introduces dynamic color-based decision-making without overwhelming complexity
- Huge variety of heroes and enemy types creates rich tactical choices
- Visible path for deck upgrading and customization through items and unique cards
- Strong replay potential with multiple bosses, enemies, and difficulty modifiers
- Limited card pool per deck leads to repetitiveness across games (nine cards per deck); players may see the same cards frequently
- Overall variety of items feels somewhat limited compared to Solar Sentinels; some cards/enemies feel less exciting
- Some early-game cards or archetypes (e.g., animal sense) aren’t particularly compelling
- Array
- Dark fantasy
- Narrative-driven dungeon-crawl combat with deck-building and escalating boss encounters
- Solar Sentinels
- Too Many Bones
- Etherfields
Mechanics (from transcript analysis)
- Color Dial / Color Wheel — A rotating color wheel constrains which dice or actions can be used on a given turn; players must align dice to the current color
- Combat: Dice — Dice of various colors are rolled and applied to enemies; color matching and arrows on enemy cards drive what can be damaged
- Deck building — Players curate and use a deck of combat cards, with hero-specific and universal cards; cards can be upgraded or swapped for new ones
- Deck Building / Card play — Players curate and use a deck of combat cards, with hero-specific and universal cards; cards can be upgraded or swapped for new ones
- dice drafting — A rotating color wheel constrains which dice or actions can be used on a given turn; players must align dice to the current color
- Dice-based combat — Dice of various colors are rolled and applied to enemies; color matching and arrows on enemy cards drive what can be damaged
- Endgame progression / Menhir pile — Defeated enemies are placed into a growing Menhir pile; after eight regular enemies, the next fight must be the boss
- Item and deck upgrade choices — Defeating enemies can yield items or new cards; players can replace or trash cards to refine their deck
- Resource management — Recovery mechanics restore dice and/or stats after engagements; defeating enemies may grant cards or stat increases
- Resource management / recovery — Recovery mechanics restore dice and/or stats after engagements; defeating enemies may grant cards or stat increases
- Strategy / Strike phase and turn structure — Rounds are divided into strike/draw (strategy) phases, then engagement and cleanup, with limits on hand size and compulsory end conditions
- Variable Phase Order — Rounds are divided into strike/draw (strategy) phases, then engagement and cleanup, with limits on hand size and compulsory end conditions
Video topics + discussion points
Quotes (from this video)
- the color wheel ... you can only hit enemies, apply dice that match the current color
- the color wheel ... you can only hit enemies that match the current dial color
- I would say this one is very close to Solar Sentinels
- Solar Sentinels has more variety in the enemies you face
- the combat cards and the limitation of only being able to play certain colors and those colors shifting is really neat
- This is a great set, too
- it's going to be a great set too
References (from this video)
- Array
- Fantasy
Mechanics (from transcript analysis)
Video topics + discussion points
Quotes (from this video)
- I think this is great.
- I think the whole AB thing is really cool, really fun.
- I love managing your dice. I love the management of these items and these cards.
- There are a lot of really creative things in the design.
- The map cards can also flip.
References (from this video)
- Rich, branching story with meaningful choices
- Improvements over previous prototype and Fall Of Avalon
- Excellent minis and aesthetic components
- New character options and varied playstyles
- Expanded logbook and encounter systems deepen campaign feel
- Companions and weird-form cards add variety
- Boss fights can be punishing and seem over-tuned for small groups
- Open-world exploration can cause downtime and analysis overhead
- Rulebook is bloated; setup may be slow; learning curve remains high
- Encounter/card management can become overwhelming; organization needed
- Insanity and some engine tweaks lack flavorful depth and balance
- Some chapters feel long or repetitive and may dip in quality
- Array
- Dark Fantasy island
- Branching, logbook-driven narrative with decisions affecting future chapters
- Fall Of Avalon
Mechanics (from transcript analysis)
- Area movement — Movement between locations on the island using a map with various locations and chokepoints.
- Boss Encounters / Combat Cards — Boss fights using specialized cards with flavor text; Book of Secrets adds narrative flavor during fights.
- Chapter-based Campaign / Branching Paths — Campaign is structured into chapters with branching decisions that affect future chapters.
- Combat: Deck/Hand — Deck of encounter cards drives events and combat outcomes.
- Deck building — Players assemble and modify a personal deck of combat and diplomacy cards to resolve encounters and combat.
- Diplomacy / Companion Systems — Diplomacy cards and companions influence outcomes and alliances.
- encounter deck — Deck of encounter cards drives events and combat outcomes.
- Energy / Resource Management — Energy is spent to move and explore; health and Terror are managed to survive and progress.
- Logbook / Story Pathing — A logbook records choices and triggers pages that alter later game events.
- Miniatures and modular components — Multiple minis, mounted and unmounted figures, and bespoke boards for combat and play.
- Modular board — Multiple minis, mounted and unmounted figures, and bespoke boards for combat and play.
- Narrative choice — A logbook records choices and triggers pages that alter later game events.
- Open-World Location Movement — Movement between locations on the island using a map with various locations and chokepoints.
- Resource management — Energy is spent to move and explore; health and Terror are managed to survive and progress.
Video topics + discussion points
Quotes (from this video)
- the log booklet has some type of pleather outside and let me tell you this is super nice to feel when you're constantly going through the logs again
- this story continues to be awesome
- the mechanical Jank is really cleaned up which leaves room for the story
- I'm mixed on it
- I would have more fun just reading the log book with maybe some minimal components here and there and that would probably be like a 9 out of 10 experience
References (from this video)
- strong thematic cohesion and rich world
- heavy setup and length may be a barrier
- narrative-driven exploration and quests
- Dark fantasy Arthurian-inspired world
- storybook/adventure
- Dominion
- World Wonders
Mechanics (from transcript analysis)
- Deck building — use and upgrade cards to influence outcomes
- deck-building — use and upgrade cards to influence outcomes
- Narrative choice — narrative prompts and events guide player decisions
- Story-driven exploration — narrative prompts and events guide player decisions
Video topics + discussion points
Quotes (from this video)
- I even saw wingspan there translated in Japanese which I really really wanted with all the expansions that was freaking awesome to see
- I managed to find Scout in multiple places
- I would definitely have to pick one game from that day and Le Havre would have been it if that managed to fit in my luggage
- Scythe oh my God in a Japanese how it just looks so cinematic for some reason
- the brand new Agric 15 Edition… there were so many updated titles
References (from this video)
- Strong theme and story atmosphere
- Branching paths and replayability
- Two-player campaign with character objectives
- Modular map with dual-layer boards
- Beautiful miniatures and art (painted by Mel)
- Rulebook typos and translation issues
- Rules heavy, with occasional confusion and complexity
- Potential long sessions and table hogging
- Production quality concerns (cards, etc.)
- Pricing and availability considerations
- Dark fantasy, exploration, battle and diplomacy in a branching narrative
- Avalon, a dark fantasy island scarred by weirdness and war
- Story-driven with multiple branching paths and character-specific goals
- Tainted Grail: Fall of Avalon
- Tales from the Red Dragon Inn
- Lord of the Rings: Journeys in Middle-earth
- Earthborn Rangers
Mechanics (from transcript analysis)
- Character abilities and progression — Two-player character pairs with personal story objectives; equipment cards; potential upgrades
- Combat/diplomacy card system — Card connectors trigger bonuses and sequences; alternating actions between players; unique combat/diplomacy tracks
- Encounters and quest system — Green/Blue/Purple encounters, secret decks, main/side quests and visions that drive progression
- exploration — Reading storybook entries, moving around a map, unlocking new locations via waystones; branching paths
- Open-world/branching structure — Players can pursue multiple paths and storylines with branching endings
- Resource/character management — Energy, health, terror, food, magic, wealth; end-of-day effects; defend vs. delay
- Waystones — Activated waystones push back weirdness and reveal new areas; associated with map exploration
Video topics + discussion points
Quotes (from this video)
- Full disclosure, this is not a review copy.
- I want to play something, you know, more sunshine and rainbows and lollipops kind of game.
- It's a dark fantasy. You're meant to be a bunch of rag tag hooligans.
- The game is not the most streamlined.
- I like the theme.
- I love the story and that's going to drive it hopefully.
References (from this video)
- deep, lore-rich world with a strong narrative arc and evocative setting.
- great potential for player agency through branching leads and multiple pathways.
- moments of flavor and mystery (e.g., quest leads, purple encounters) that feel fresh and thematic.
- app-narration and optional side content (like Echoes of Rune) can enhance immersion for some groups.
- rules density and rule-book ambiguity can bog down setup and play.
- combat/diplomacy systems are sometimes underwhelming or punishing in practice.
- pacing can feel slow or dragging, especially with long prose segments and heavy decision trees.
- visual token conventions (time tokens, white/gray/black tokens) can be confusing and lead to color-coding disputes or misreads in-app logic.
- quest for reclaiming a fractured kingdom, political intrigue within a royal family, dealings with magic and eldritch forces, personal redemption and fate in a cryptic land.
- Lost kingdom of Loathian and surrounding realms (King's Pass, Straywood, Venidia, Venidia, and the castle ruins). A mythic, war-torn landscape where magic, relics, and political intrigue collide with ancient sentinels and strange events.
- lore-driven, branching narrative with many lore cards, status markers, and secret quests; heavy reliance on app-like narrative beats and long prose passages.
- Nemesis (Awaken Realms)
- Fall of Avalon (Tainted Grail original)
Mechanics (from transcript analysis)
- campaign chapter progression — The campaign unfolds in chapters with location cards, encounter decks, secrets, and quest/secret cards that push the story forward and constrain or unlock options as you advance.
- combat and diplomacy encounter design — Encounters can be combat or diplomacy-based, with various modifiers and one-time effects. Guard/guardian encounters add a perilous layer to the see-saw between progressing and losing health/food/tears.
- encounter deck resolution — Encounters come in blue/green/purple categories (and other special cards) with varying effects, loot, and potential guardians. Resolution depends on card sequencing, bonuses, and timed effects.
- Resource and risk management — Players manage health, terror, energy, food, wealth, and magic, balancing risk to explore, fight, or trade while facing penalties like terror tracks and energy loss on certain actions.
- secret and event card manipulation — Secret decks and event decks introduce hidden objectives and random twists. Card order and which cards are shuffled in/out can dramatically affect what options remain available.
- secret/hidden-object quest rewards — Certain leads unlock unique rewards (special status, wealth, or items) tied to secret cards or specific characters, driving exploration toward particular factions or characters.
- topography and region gating — Topography/status cards affect access and action resolution. Certain terrain or status conditions gate or enable actions and can alter the pacing of progression.
Video topics + discussion points
Quotes (from this video)
- This game is not for everyone; it can be punishing and slow if you chase every path.
- The story is epic and that’s what carries this game for me.
- Encounters interrupt and can feel like a slog, especially when you’re trying to push the campaign forward.
- I love being able to pick paths that aren’t obvious, it keeps the playthrough interesting.
- The app narration is nice, but the prose density can ruin flow if you’re not focused.
- I’d like more moments that aren’t pure combat—more of those purple encounter vibes.
References (from this video)
- exceptional narrative and writing
- improved system with fewer grind elements
- strong world-building and progression
- maybe not accessible to players seeking more combat depth
- some rules areas may still feel unclear
- narrative-driven, adventure-focused with reduced grind
- Tainted Grail universe, standalone story-driven experience
- heavy on lore, world-building, and story
- Tainted Grail: Fall of Avalon
- Gloomhaven (as a benchmark)
Mechanics (from transcript analysis)
- narrative-driven campaign — structured adventures with episodic chapters and story progression
- scaling and tweaks — mechanics adjusted from earlier Tainted Grail to reduce grind
Video topics + discussion points
Quotes (from this video)
- If you enjoy the Ingenious game, I would definitely have a look at Ingenious 3D.
- Tower Up is the game that I would play with non-gamers.
- This is SETI, and it's cool from a mechanical perspective.
- The narrative is exceptional. The writing style is superb.
- Civolution has micro turns... your turn is generally fairly short and doesn't contain any chaining of actions.
References (from this video)
- Quality of life improvements over original
- Massive amount of content and expansions available
- Evolution of original system
- Eliminates grindiness from original
- Separate campaign from original - can play standalone
- Best fantasy-based story-driven campaign game reviewer has played
- Original version had some issues and grindiness
- Some occasional kinks in development
- Expensive pledges
- Story-driven campaign adventure
- Fantasy world from original Tainted Grail universe
- Campaign-based with multiple scenarios
- Oathsworn
- Original Tainted Grail
Mechanics (from transcript analysis)
- campaign system — Multiple scenarios forming a campaign
- Quality of life improvements — Enhanced from original version
Video topics + discussion points
Quotes (from this video)
- Kickstarter is here to stay whether you like it or not
- I give my honest opinions regardless of whether someone a hero or not
- Just because the creator of pandemics on it doesn't make it an instant hit
- This is the best fantasy based story driven campaign game I've ever played
- The value you get is obnoxious... it's obscene
- Put the how to play Early in the campaign all right not miles at the end
- Board games just aren't worth this kind of money anymore
- I'm not spending 330 on this thing
- Money is tighter the world economy has gone to pot
- Quick turns and simple actions is such a marketing tool line that I can't place any reliance on
References (from this video)
- Novelization-level writing
- Excellent immersive world building
- Multiple story paths create replayability
- Beautiful dark artwork
- App integration with voice narration enhances immersion
- Tainted Grail universe is engaging
- Very long campaign game
- Requires significant time commitment
- Quest for the Holy Grail with grimdark elements
- Dark medieval fantasy world
- Novelization-level writing with voice narration option
- ISS Vanguard
Mechanics (from transcript analysis)
- campaign system — Long narrative campaign with multiple story paths
- Combat System — Combat with psychological elements and PTSD mechanics
- Variable story routes — Order of quests affects game progression and outcomes
Video topics + discussion points
Quotes (from this video)
- 2024 was not my favorite year ever not just in board gaming but kind of just in life in general
- it's nice that there's actually a game that says no how about we stop War for a change
- you want to stick Miyazaki from studio Ghibli and shove it into a board game it's just like that
- silky smooth silky smooth like the river itself
- I suspect this list is going to be very different to a few of yours
- this is the ultimate balance like you need a balance of complexity versus depth
References (from this video)
- High replayability due to branching campaign paths and diverse character builds.
- Rich thematic integration between narrative framing and game mechanics.
- Deep deck-building options with multiple synergy directions.
- High complexity and dense rule set can be intimidating for new players.
- End-of-turn cards can introduce unpredictable randomness that may slow play.
- Setup and ongoing tracking of resources/time/terror can be demanding.
- Relic-hunting, kingdom-building, ritual decisions, diplomacy, and survival in a cursed land.
- Dark fantasy, post-apocalyptic/mystical realm centered on Castle Loathian and surrounding regions (Lotheian/Lothian saga).
- Campaign-driven with branching arcs, companion events, and evolving character trajectories.
- Forbidden Stars
- War of the Ring
- Star Wars Rebellion
- The Lord of the Rings: The Card Game
Mechanics (from transcript analysis)
- Blood price — A cost in health to perform certain healing or resource-generating actions, creating tension between survival and progress.
- Book of Secrets / Verses — Narrative events triggered by verses or secrets that alter board state or grant special bonuses.
- Card-driven progression and xp — Characters improve by spending XP to acquire new cards, skills, and attributes, enabling varied build paths.
- Companions and diplomacy — Non-player companions grant unique abilities and alter diplomacy outcomes during encounters.
- Encounters (green/blue/purple/red) — Encounter cards drive choices with varied rewards/penalties, shaping deckbuilding and strategy.
- Guardians and boss-style encounters — Guardian entities move through the map, offering peril and requiring cooperation or tactical planning.
- Time and terror track — A time/terror economy that affects encounters, card resolution, and the ability to endure or endure longer in fights.
- Way stones — Location-based travel/resource mechanic; activating a way stone yields healing/magic benefits and advances movement between sites.
Video topics + discussion points
Quotes (from this video)
- The fox god took an interest in you and will return later.
- There are so many options to build different characters there.
- This is the best game I've played all year.
References (from this video)
- ambitious, narrative-driven campaign concept
- unclear about delivery timing and upfront commitments
- story-driven exploration and long-form campaigns
- dark fantasy world with epic campaign arcs
- campaign-narrative with evolving story
Mechanics (from transcript analysis)
Video topics + discussion points
Quotes (from this video)
- the heart and soul of your channel. And don't attempt to change it.
- I'm not excited or intrigued at all.
- boring, boring, playing it safe.
- That's why I don't do top 10 lists on my channel anymore really. It's not a passion.
References (from this video)
- Rich, branching narrative framework with multiple exploration options
- Deep, evolving boss mechanics and encounter variety
- Two-player campaign pacing that scales with decisions and resource management
- Rule ambiguities and misprints leading to confusion during play
- Long, RNG-heavy combats that can feel grindy and protracted
- Steep learning curve for new players and two-player balance concerns
- Survival, exploration, and narrative-driven questing in a grim, curse-laden world
- Dark fantasy realm in decline, with relics, ruins, and creeping mysticism
- Branching, verse-driven Book of Secrets with dynamic encounters and location-based storytelling
- Dark Souls
- Demon's Souls
- Eldritch Horror
- The Witcher (board game)
Mechanics (from transcript analysis)
- Book of Secrets verses — Verse entries trigger narrative events that direct quest progression and offer divergent paths.
- Encounter decks (combat and diplomacy) — Players draw and resolve combat or diplomacy cards during encounters, with bonuses and penalties that shape outcomes.
- Guardian and Claudian mechanics with time tokens — Guardians and Claudine the United introduce delayed abilities and required timing; time tokens regulate multi-step effects.
- Two-player party progression and campaign structure — Two-player pairing advances in chapters with evolving challenges, balancing combat and diplomacy, and managing encounter RNG.
- Waystones, fortifications, and resource management — Players interact with waystones to heal, fortify locations, and manage resources like energy, wealth, magic, and health.
Video topics + discussion points
Quotes (from this video)
- This game is crazy.
- The Dark Souls 101, right? Demon Souls 101.
- I feel like we're stronger in combat than we are in diplomacy.
- This is the learning opportunity we get from misreads and rule questions.